I really enjoyed Hereditary, so when I heard of Ari Aster’s next project, Midsommar, I knew it was an immediate must watch.
Well crafted, with beautiful lush cinematography, the perfectionism and attention to detail, of which has become Aster’s hallmarks, are ever present. Certainly, director Ari Aster has made a name for himself—while also redefining modern horror.
To get to the point: the suspension of disbelief is stretched reaaaalllly thin. There will be some spoilers ahead.
The event that kicks the film into high-gear is the main characters’ witnessing the villager’s ceremony, culminating in ritualistic suicide. We see 2 elders willingly dive off of a cliff, onto sharp rocks below. To make matters worse, one of the elders does not immediately die, and is swiftly killed off via blows to the head with a maul by some villagers. It is incredibly gorey and gruesome.
So, after witnessing this ridiculous sight, what do our main characters do? Well, a whole lot of nothing. Their reactions are so devoid from reality, it immediately draws attention to the bad writing. Or at least, the intentional writing of dumb characters to justify plot. Just so I’m emphatic with how ridiculous this becomes in the film: these people just witnessed ritualistic suicide AND murder (one of the elders did NOT immediately die, and is then KILLED), and at most our group reacts like they just lost the Super Bowl. Really? No running. No shouts. Not even thoughts or discussions within our group about potentially leaving. Oh, and our group just conveniently ignores that a significant member of the group has already been through an insane traumatic event already.
Now, I’m positive director-writer Ari Aster saw the incredible leap in believability that this scene would require, so as means to justify it, one of the characters later, when asked, espouses that his tamed reaction (or lack thereof) is due to wanting to keep an “open mind”, and that our traditions of “sticking our elders in nursing homes” may be equally terrifying to outsiders.
Like, that’s the moral equivalence that this dummy is drawing. Retirement homes are on par with ritualistic suicide and murder. Someone (Ari Aster) actually wrote this character.
I know bad writing when I see it. And intentionally writing dumb characters with a huge lapses of judgement, in order to drive plot, is just hack. That’s not to suggest characters can’t be dumb and flawed, but that those attributes need to treated with better sophistication. We are following a group comprised of Ph.D students.
Overall, beautiful film. It’s simply disappointing to see such well-crafted work succumbing to bad writing.